Logo Valley Performing Arts

divider

Donations
Policies

Downloads

Photos

Thank You Season 32 Sponsors!

First National Bank

Frontiersman

Lead Dog

Mudbusters

Valley Block & Concrete

Wells Fargo

Evergreen Logo

Mat Valley Federal Credit Union Logo

Lucas Chiropractic Logo

First Choice Physical Therapy Logo

Mat-Su News (ADN)

Double Eagle Realty Logo

 

 

 

curve

 

Season 33 SEASON TICKETS on sale NOW!!!

 

Love, Sex and the IRS (A Farce)  Billy Van Zandt and Jane Milmore (general audiences)
(September 5-28, Fridays, Saturdays and matinee Sundays) directed by Rod Merhtens
Here is a wild farce with twists of fate, sight gags, mistaken identities and hilarious comic lines. Jon Trachtman and Leslie Arthur are out of work musicians who room together in New York City. To save money, Jon has been filing tax returns listing the pair as a married. The day of reckoning comes when the Internal Revenue Service informs the "couple" they're going to be investigated by a Mr. Spinner. Leslie masquerades as a housewife, aided by Jon's fiancee, Kate. Complicating matters further Leslie and Kate are having an affair behind Jon's back, Jon's mother drops in unexpectedly to meet her son's fiancee, and Leslie's ex girlfriend shows up demanding to know why Leslie has changed and won't see her anymore.

 

Dial “M” for Murder (Thriller) Fredrick Knott (general audiences)
(October 17-November 9, Fridays, Saturdays and matinee Sundays) directed by John Harris
Tony Wendice has married his wife, Margot, for her money, and now plans to murder her for precisely the same reason. He arranges the perfect crime, blackmailing an acquaintance into committing the deed, while at the same time arranging his own airtight alibi. When the plot goes awry, however, Wendice shows just how cruelly resourceful he can be, even as he struggles to avoid disaster, barely keeping one step ahead of a Scotland Yard police inspector. A runaway Broadway hit, made even more famous as an Alfred Hitchcock film, Dial “M” for Murder is one of the great thrillers of all time!

 

A Christmas Story (Comedy) J.Shepherd, adapted by Philip Grecian. (family, general audiences)
(November 28-December 21, Fridays, Saturdays and matinee Sundays) directed by Kelly Larson
Based on the motion picture A Christmas Story, copyright 1983 Turner Entertainment Co., distributed by Warner Bros., and written by Jean Shepherd, Leigh Brown and Bob Clark; and on the book In God We Trust, All Others Pay Cash by Jean Shepherd.
Humorist Jean Shepherd's memoir of growing up in the midwest in the 1940s follows 9-year-old Ralphie Parker in his quest to get a genuine Red Ryder BB gun under the tree for Christmas. Ralphie pleads his case before his mother, his teacher and even Santa Claus himself, at Goldblatt's Department Store. The consistent response: "You'll shoot your eye out." All the elements from the beloved motion picture are here, including the family's temperamental exploding furnace; Scut Farkas, the school bully; the boys' experiment with a wet tongue on a cold lamppost; the Little Orphan Annie decoder pin; Ralphie's father winning a lamp shaped like a woman's leg in a net stocking; Ralphie's fantasy scenarios and more. A Christmas Story is destined to become a theatrical holiday perennial.

 

The Spitfire Grill (Musical) James Valcq, Based on the film by Lee David Zlotoff. (general audiences)
(January 16-February 15, Fridays, Saturdays and matinee Sundays) directed by Larry Bottjen
A feisty parolee follows her dreams, based on a page from an old travel book, to a small town in Wisconsin and finds a place for herself working at Hannah's Spitfire Grill. It is for sale but there are no takers for the only eatery in the depressed town, so newcomer Percy suggests to Hannah that she raffle it off. Entry fees are one hundred dollars and the best essay on why you want the grill wins. Soon, mail is arriving by the wheelbarrow full and things are definitely cookin' at the Grill.

 

The Night of the Iguana (Drama) Tennessee Williams (mature audiences)
(March 6-22, Fridays, Saturdays and matinee Sundays) directed by Grant Olson
When defrocked American minister Reverend T. Lawrence Shannon is expelled from his Virginia church, he travels to Mexico in search of his destiny and sanity. There he becomes a tour guide for a bus load of spinsters and a teenage nymphet named Charlotte Goodall, who is being chaperoned by the group's leader, the inflexible Judith Fellowes. Miss Fellowes, who is quite jealous of Charlotte's attentions to Shannon, discovers the young woman in his room and vows to have him fired. To thwart her plot, Shannon takes control of the bus from Hank, the bus driver, and speeds the tour group on a wild ride through the Mexican jungle to the crumbling, secluded hotel of an old friend, the recently widowed Maxine Falk. Eventually Shannon becomes enamored with another guest at the hotel, the rather genteel Hanna Jelkes, an itinerant quick sketch artist and her poet grandfather Nonno. As the wise Hanna partially restores Shannon's fractured world, Shannon struggles to get back the rest of his sanity and his self-respect.

 

A Bad Year for Tomatoes (Comedy) John Patrick (general audiences)
(April 10-26, Fridays, Saturdays and matinee Sundays) directed by Kevin Cochran
Fed up with the pressures and demands of her acting career, the famous Myra Marlowe leases a house in the tiny New England hamlet of Beaver Haven and settles down to write her autobiography. She is successful in turning aside the offers pressed on her by her long-time agent, but dealing with her nosy, omnipresent neighbors is a different matter. In an attempt to shoo them away, and gain some privacy, Myra invents a mad, homicidal sister—who is kept locked in an upstairs room, but who occasionally escapes long enough to scare off uninvited visitors. The ruse works well, at first, but complications result when the local handyman develops an affection for "Sister Sadie" (really Myra in a fright wig) and some of the more officious ladies decide it is their Christian duty to save the poor demented Sadie's soul. In desperation Myra announces that her imaginary sibling has suddenly gone off to Boston—which brings on the sheriff and the suspicion of murder! Needless to say, all is straightened out in the end, but the uproarious doings will keep audiences laughing right up to the final curtain, and then some.

 

Anne of Green Gables (Comedy) Alice Chadwicke (family, general audiences)
(May 15-31, Fridays, Saturdays and matinee Sundays) directed by Suzanne Hermon
Green Gables is the home of lovable Matthew Cuthbert and his stern sister, Marilla. They agree to adopt a boy to help with the farm work. Imagine their consternation when Anne Shirley, a girl in her teens, is sent by the orphanage by mistake! Anne touches Matthew's heart with her vivid imagination and her charitable viewpoint, but it takes time to reach the tender heart beneath Marilla's hard exterior. Then there is young Josie Pye, a lad named Moody Spurgeon and Matthew, Anne's kindred spirit. This lovely classic is very simple to present and full of warmth and wit.

 

 

 

 

 

curve



    curve
© 2007 Valley Performing Arts. All rights reserved. Web Design & Maintenance by BLUE BEAR